BUSCADOR RECOLECTA

This dataset corresponds to a study aimed at investigating the environmental impact of an innovative system proposed for residential buildings in Continental climate through a life cycle assessment. The data refer to both the innovative system and a standard reference system, which was considered for comparison purposes. Data used for a parametric study of the innovative system are also included in this dataset.

This dataset corresponds to a study aimed at investigating the environmental impact of an innovative system proposed for residential buildings in Mediterranean climate through a life cycle assessment. The data refer to both the innovative system and a standard reference system, which was considered for comparison purposes. Data used for a parametric study of the innovative system are also included in this dataset.

This dataset corresponds to a study aimed at evaluating the hygroscopic behaviour and corrosion effect of inorganic compounds to be applied as phase change material (PCM) in a laten heat thermal energy storage (TES) system. The hygroscopy test consisted of analysing the rate at which inorganic compounds can absorb water during 8 hours of exposure to the environment and the amount of water removed in 12 hours of subsequent drying. The corrosion tests consisted of analysing the changes produced by static orrosion in stainless steel fibres when they are immersed one week in different liquid inorganic PCMs as first tests for PCM selection.

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967, En el Teatro Colón de Buenos Aires, Argentina.

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967, En el estadio Luna Park de Buenos Aires, Argentina.

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967