BUSCADOR RECOLECTA

Técnica: Ebanistería, Soporte-Materia: Madera de haya, Dimensiones: 72 X 50 X 44 cm., Fecha de ejecución: s. XIX-XX, Formato rectangular, patas rectas y un cajón., Expurgado, Nota: la pieza ya no pertenece al Patrimonio de la Fundación Vital.

Materia-soporte: Cajas de cartón, Composición que simula un grafiti. Diseñada para la primera edición del "Vital Eguna" en 2018., Nota: depositado en Fundación Sancho el Sabio.

Técnica: Ebanistería, Soporte-Materia: Madera chapada en raíz de nogal, Dimensiones: 78 X 181 X 86 cm., Fecha de ejecución: principios s. XX, Estilo Art Decó. Esquinas curvas y cajones. A juego con el mobiliario IMG764, Expurgado, Nota: la pieza ya no pertenece al Patrimonio de la Fundación Vital.

This dataset in an Excel file compares the wave of globalization before the outbreak of the Great Recession in 2007 with its alleged historical antecedent before the outbreak of World War One. We describe trends in trade and openness, estimate the gains from trade and investigate the proximate causes of the growth of openness. We argue that the conventional wisdom has to be revised. The first wave of globalization started around 1820 and culminated around 1870. In the next century, trade continued to grow, with the exception of the Great Depression, but openness and gains fluctuated widely. Growth resumed in the early 1970s. By 2007, the world was more open than a century earlier and its inhabitants gained from trade substantially more than their ancestors did. The current wave of globalization, in spite of some similarities with previous trends, has no historical antecedents. This dataset is related to the working paper "A tale of two globalizations : gains for trade and openness 1800-2010" by by Giovanni Federico and Antonio Tena Junguito, available on: http://hdl.handle.net/10016/22354

This dataset is supporting information to the paper pubished in the Working papers in Economic History series, n. 16-01., This dataset in an Excel file presents our data-base on world trade from 1800 to 1938. We have collected or estimated series of imports and exports, at current and constant (1913) prices and at current and at constant (1913) borders, for 149 polities. After a short review of the available series, we describe the methods for the construction of the data-base. We then deal with the criteria for the inclusion of polities, the representativeness of our series, the main types of sources, the procedures of deflation and, when necessary, of adjustments to 1913 borders. We discuss the details of the estimation of our polity series in Appendix B. Following Feinstein and Thomas (2001), we assess the reliability of our polity estimates. In the last two sections we present our trade series at current and 1913 borders and compare them with other available series. This dataset is related to the working paper "World trade, 1800-1938 : a new data-set" by Giovanni Federico and Antonio Tena Junguito, available on: http://hdl.handle.net/10016/22222.

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967

Coreografía: Alberto Alonso sobre texto de Prosper Mérimée-Henry Meilhac y Ludovic Halévy Música: George Bizet, arreglada por Rodion Schedrin Escenografía: Boris Messerer Vestuario: Salvador Fernández, Estreno Mundial: Teatro Bolshoi de Moscú, 20 de abril de 1967, Estreno en Cuba:Teatro García Lorca, La Habana, Agosto 1 de 1967