BUSCADOR RECOLECTA

Data collected in the framework of the ERC project “Artsoundscapes, the sound of special places: exploring rock art soundscapes and the sacred” (acronym: Artsoundscapes, Grant Agreement No. 787842, PI ICREA Research Professor Margarita Díaz-Andreu). The project focuses on the relationship between archaeoacoustics and rock art. The dataset includes audio files that are the omnidirectional impulse responses gathered in a selection of rock art sites in the Karakol valley (Russian Altai), more specifically, Kara-Too, Torgun, Bichiktu-Bom and Talda. The tables include the acoustic parameter values derived from those impulse responses. Fieldwork was conducted in August 2019, by Margarita Díaz-Andreu, Adriano Farina, Tommaso Mattioli, Laura Coltofean, Elio Smith, Elena Miklashovich and Andrzej Rozwadowski.

Data collected within the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (acronym: Artsoundscapes, PI ICREA Research Professor Margarita Díaz-Andreu). The project focuses on the relationship between archaeoacoustics and rock art. The audio files are the impulse responses (IR) gathered in the Lower Chuya Valley area, in particular at the rock art sites of Kalbak-Tash I, Kalbak-Tash II and Adyr-Kan, Altai (Siberia). The tables include the acoustic data derived from those impulse responses.

Data collected in the framework of the ERCArtsoundscapesproject. (The sound of special places: exploring rock art soundscapes and the sacred, ref. 787842 ). The project focuses on the relationship between archaeoacoustics and rock art. The dataset includes audio files that are the impulse responses gathered in the Bacinete archaeological complex, in particular in the rock art sites of Bacinete III and Bacinete Main Shelter (Cádiz). The tables include the acoustic data derived from those impulse responses.

SIMO Matlab script used in the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (acronym: Artsoundscapes, reference 787842) with ICREA Research Professor Margarita Díaz-Andreu as PI. The project focuses on the relationship between archaeoacoustics and rock art. The SIMO program source code includes the main Matlab (R2022a) script and the subroutines used for the post-processing of the audio files gathered during fieldwork to extract the spatial impulse responses (IRs). A set of audio files ready to run the main script are also provided.

Data collected in the framework of the ERC project Artsoundscapes, the sound of special places: exploring rock art soundscapes and the sacred (https://cordis.europa.eu/project/id/787842). The project focuses on the relationship between archaeoacoustics and rock art. The dataset includes audio files that are some the impulse responses gathered in a selection of rock art sites in the Urkosh Area (Russian Altai), more specifically, Gran Yaloman, Urkosh XV, Foothill, Boulder, Urkosh IV B, Rock face 1 & Rock face 2. The tables include the acoustic data derived from those impulse responses. Fieldwork was conducted in August 2019, by Margarita Díaz-Andreu, Adriano Farina, Tommaso Mattioli, Laura Coltofean, Elio Smith, Elena Miklashovich and Andrzej Rozwadowski.

Data collected in the framework of the ERC project Artsoundscapes, the sound of special places: exploring rock art soundscapes and the sacred (https://cordis.europa.eu/project/id/787842). The project focuses on the relationship between archaeoacoustics and rock art. The dataset includes audio files in different formats that are the impulse responses and ambient sounds gathered at the Game Pass I & Game Pass II archaeological sites (Kamberg, South Africa). The excel files include the acoustic data derived from those impulse responses. Fieldwork was conducted in April 2022, by Margarita Díaz-Andreu, Neemias Santos da Rosa, Diego Moreno Iglesias, Ghilraen Laue, and Chih-Jen Hung, and had as guides Richard Duma and Raphael Mnikahti.

Data collected in the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (Grant Agreement No. 787842). The project focuses on the relationship between archaeoacoustics and rock art. The audio files are the impulse responses gathered in the Tajo de las Figuras shelter (Cádiz – Spain) and some auralisation examples. The tables include the acoustic data derived from those impulse responses.

Data collected in the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (Grant Agreement No. 787842). The project focuses on the relationship between archaeoacoustics and rock art. The attached files correspond to 1) the audio files of the impulse responses collected in the shelters of Diosa I and Horadada (Cádiz, Spain), 2) the stimuli employed in a listening test conducted in the immersive audio laboratory of the Faculty of Psychology, Universitat de Barcelona, 3) the data collected in the mentioned test, and 4) the acoustic data derived from those impulse responses.

Data collected in the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (acronym: Artsoundscapes, Grant Agreement No. 787842). The project focuses on the relationship between archaeoacoustics and rock art. The audio files are the impulse responses in different formats gathered in the Palomas I cave in Facinas (Tarifa, Cádiz, Spain) and some auralization examples. The tables include the acoustic data derived from those impulse responses.

Data collected in the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (acronym: Artsoundscapes, Grant Agreement No. 787842). The project focuses on the relationship between archaeoacoustics and rock art. The attached files correspond to 1) the audio files of the impulse responses collected at the rock art sites of Sandra shelter (Kamberg, South Africa), and Bamboo Hollow III and Wilcox shelter (Giant’s Castle, South Africa), all of them in the Drakensberg mountain range, 2) the corresponding ambient sounds registered on each of the three sites, 3) the resulting audio tracks when the ambient sound is reproduced in the immersive audio laboratory of the Faculty of Psychology, and 4) a Matlab script for the extraction of the psycoacoustical parameters presented on the publication.