BUSCADOR RECOLECTA

The photographs of glasses containing wine were acquired by researchers with different smartphones equipped with high-resolution cameras (12 or 48 MP). Photographs were previously designed considering usual photographic parameters (see DATA-SPECIFIC INFORMATION for details).-- The data have not been processed., The DATASET compiles 1.945 files corresponding to individual images of glasses containing red wine. The photographs of glasses containing wine were acquired by researchers with different smartphones equipped with high-resolution cameras (12 or 48 MP). Photographs were previously designed considering usual photographic parameters. Each file name is unique and contains information of the parameters under which the photograph was taken., This study was supported by MCIN (Ministerio de Ciencia e Innovación)/AEI (Agencia Estatal de Investigación)/10 .13039 /501100011033through the projects PID2019-108851RB-C21 & PID2019-108851RB-C22. The authors would like to thank CSIC Interdisciplinary Thematic Platform (PTI+) Digital Science and Innovation., The DATASET compiles 1.945 files corresponding to individual images of glasses containing red wine. Each file name is unique and contains information of the parameters under which the photograph was taken (see DATA-SPECIFIC INFOR-MATION for details). For example: The file Rea_Rio_C_Bor_175_nd_nd_fr10_nd_nd_ar2 corresponds to an almost real image (Rea), taken in La Rioja (Rio), of a “crianza wine”(C), in a Bourgogne wine glass (Bor), with a volume of 175 mL (175), taken at none defined time (nd) and undefined lighting (nd), with a real back-ground (fr10) and without reference (nd) nor distance (nd) considerations, and upper angle (ar2)., Peer reviewed

The photographs of glasses containing wine were acquired by wine consumers with different smartphones equipped with high-resolution cameras (12 or 48 MP). Photographs were previously designed considering usual photographic parameters (see DATA-SPECIFIC INFORMATION for details).-- The data have not been processed., The DATASET compiles 229 files corresponding to individual images of glasses containing red wine. The photographs of glasses containing wine were acquired by wine consumers with different smartphones equipped with high-resolution cameras (12 or 48 MP). Each file name is unique and contains information of the parameters under which the photo-graph was taken., This study was supported by MCIN (Ministerio de Ciencia e Innovación)/AEI (Agencia Estatal de Investigación)/10 .13039 /501100011033through the projects PID2019-108851RB-C21 & PID2019-108851RB-C22. The authors would like to thank CSIC Interdisciplinary Thematic Platform (PTI+) Digital Science and Innovation., The DATASET compiles 229 files corresponding to individual images of glasses containing red wine. Each file name is unique and contains information of the parameters under which the photograph was taken (see DATA-SPECIFIC INFOR-MATION for details). For example: The file Vol_Mad_C_Bor_175_Cena_nd_nd_nd_nd_nd corresponds to a real image taken by a consumer(#Vol), taken in Madrid (Mad), of a “crianza wine”(C), in a Bourgogne wine glass (Bor), with a volume of 175 mL (175), taken at dinner (Cena) with undefined lighting (nd) and a random real background (nd), and without reference (nd) nor distance (nd), nor angle (nd) considerations., Peer reviewed

General information, experimental procedures, new compound characterization, crystallographic data, HPLC chromatograms, NMR spectra, DFT calculations, and STM data., Peer reviewed

Data collected in the framework of the ERC project “Artsoundscapes, the sound of special places: exploring rock art soundscapes and the sacred” (acronym: Artsoundscapes, Grant Agreement No. 787842, PI ICREA Research Professor Margarita Díaz-Andreu). The project focuses on the relationship between archaeoacoustics and rock art. The dataset includes audio files that are the omnidirectional impulse responses gathered in a selection of rock art sites in the Karakol valley (Russian Altai), more specifically, Kara-Too, Torgun, Bichiktu-Bom and Talda. The tables include the acoustic parameter values derived from those impulse responses. Fieldwork was conducted in August 2019, by Margarita Díaz-Andreu, Adriano Farina, Tommaso Mattioli, Laura Coltofean, Elio Smith, Elena Miklashovich and Andrzej Rozwadowski.

Data collected within the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (acronym: Artsoundscapes, PI ICREA Research Professor Margarita Díaz-Andreu). The project focuses on the relationship between archaeoacoustics and rock art. The audio files are the impulse responses (IR) gathered in the Lower Chuya Valley area, in particular at the rock art sites of Kalbak-Tash I, Kalbak-Tash II and Adyr-Kan, Altai (Siberia). The tables include the acoustic data derived from those impulse responses.

Data collected in the framework of the ERCArtsoundscapesproject. (The sound of special places: exploring rock art soundscapes and the sacred, ref. 787842 ). The project focuses on the relationship between archaeoacoustics and rock art. The dataset includes audio files that are the impulse responses gathered in the Bacinete archaeological complex, in particular in the rock art sites of Bacinete III and Bacinete Main Shelter (Cádiz). The tables include the acoustic data derived from those impulse responses.

SIMO Matlab script used in the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (acronym: Artsoundscapes, reference 787842) with ICREA Research Professor Margarita Díaz-Andreu as PI. The project focuses on the relationship between archaeoacoustics and rock art. The SIMO program source code includes the main Matlab (R2022a) script and the subroutines used for the post-processing of the audio files gathered during fieldwork to extract the spatial impulse responses (IRs). A set of audio files ready to run the main script are also provided.

Data collected in the framework of the ERC project Artsoundscapes, the sound of special places: exploring rock art soundscapes and the sacred (https://cordis.europa.eu/project/id/787842). The project focuses on the relationship between archaeoacoustics and rock art. The dataset includes audio files that are some the impulse responses gathered in a selection of rock art sites in the Urkosh Area (Russian Altai), more specifically, Gran Yaloman, Urkosh XV, Foothill, Boulder, Urkosh IV B, Rock face 1 & Rock face 2. The tables include the acoustic data derived from those impulse responses. Fieldwork was conducted in August 2019, by Margarita Díaz-Andreu, Adriano Farina, Tommaso Mattioli, Laura Coltofean, Elio Smith, Elena Miklashovich and Andrzej Rozwadowski.

Data collected in the framework of the ERC project Artsoundscapes, the sound of special places: exploring rock art soundscapes and the sacred (https://cordis.europa.eu/project/id/787842). The project focuses on the relationship between archaeoacoustics and rock art. The dataset includes audio files in different formats that are the impulse responses and ambient sounds gathered at the Game Pass I & Game Pass II archaeological sites (Kamberg, South Africa). The excel files include the acoustic data derived from those impulse responses. Fieldwork was conducted in April 2022, by Margarita Díaz-Andreu, Neemias Santos da Rosa, Diego Moreno Iglesias, Ghilraen Laue, and Chih-Jen Hung, and had as guides Richard Duma and Raphael Mnikahti.

Data collected in the framework of the ERC project "The sound of special places: exploring rock art soundscapes and the sacred" (Grant Agreement No. 787842). The project focuses on the relationship between archaeoacoustics and rock art. The audio files are the impulse responses gathered in the Tajo de las Figuras shelter (Cádiz – Spain) and some auralisation examples. The tables include the acoustic data derived from those impulse responses.