BUSCADOR RECOLECTA

Experimental data displayed in the figures of the article: Bose-Einstein condensates, Quantum mixtures, Quantum líquids, Quantum fluctuations., Peer Reviewed

Es la base de datos que ha permitido realizar los artículos siguientes: - Fernández-Cruz, F.J.; Rodríguez-Mantilla, J.M. & Fernández-Díaz, M.J. (2020). Impact of the application of ISO 9001 standards on the climate and satisfaction of the members of a school, International Journal of Educational Management, Vol. 34 Iss: 7, pp. 1185-1202. https://doi.org/10.1108/IJEM-10-2018-0332 (ISSN: 0951-354X) - Rodríguez-Mantilla, J.M.; Martínez-Zarzuelo, A., & Fernández-Cruz, F.J. (2020). Do ISO:9001 Standards and EFQM Model differ in their impact on the External Relations and Communication System at schools?, Evaluation and Program Planning Vol. 80, DOI: https://doi.org/10.1016/j.evalprogplan.2020.101816 (ISSN: 0149-7189) - Fernández-Cruz, F.J.; Rodríguez-Mantilla, J.M. & Fernández-Díaz, MªJ. (2019). Assessing the impact of ISO:9001 implementation on school teaching and learning processes, Quality Assurance in Education, Vol. 27 Iss: 3, pp. 285 - 303 (ISSN: 0968-4883) DOI: https://doi.org/10.1108/QAE-09-2018-0103 - Rodríguez-Mantilla, J.M., Fernández-Cruz, F.J. &. Fernández-Díaz, MªJ. (2019). Comparative analysis between management team and teachers on the impact of ISO 9001 standards in educational centres, International Journal of Quality and Service Sciences, Vol. 11, Nº 2 (248-264) DOI: https://doi.org/10.1108/IJQSS-06-2018-0057 (ISSN 1756-669X) - Rodríguez-Mantilla, J.M., Fernández-Cruz, F.J. &. Fernández-Díaz, MªJ. (2018). Factors associated with the impact of implementing quality management systems at schools: a multilevel analysis, Total Quality Management & Business Excellence, Vol. 31, 1-17 DOI: http://dx.doi.org/10.1080/14783363.2018.1490642 (ISSN: 1478-3363)

This repository contains four Excel 2017 files named “APD.xlsx”, “QT.xlsx”, “Tx_APD.xlsx” and “Tx_QT.xlsx”. APD.xlsx and Tx_APD.xlsx files contain three sheets (called “Epi”, “Mid” and “Endo”), whereas the rest contain only one sheet (called “QT”). These files contain the results of simulations performed in the O’Hara-Rudy model (ORd) [1] of human ventricular cells (206.766 simulations) and tissue (7072 simulations), which consist of APD90 and QT intervals as well as a new index called Tx extracted from both APD and QT values. References: [1]. O’Hara, T.; Virág, L.; Varró, A.; Rudy, Y. Simulation of the Undiseased Human Cardiac Ventricular Action Potential: Model Formulation and Experimental Validation. PLoS Comput. Biol. 2011, 7 (5), e1002061. [2]. Romero L., Cano J., Gomis-Tena J., Trenor B., Sanz F., Pastor M., Saiz J. In silico QT and APD Prolongation Assay for Early Screening of Drug-Induced Proarrhythmic Risk. Journal of Chemical Information and Modeling. 2017 (Currently in revision).

En el cuadro “La primera chacra”, a través de una paleta vibrante de colores contrastantes y delicados trazos sobre un fondo monocromático oscuro, Yahuarcani representa el lugar donde las plantas son cultivadas, un espacio lleno de vida y espíritus. Según el conocimiento Amazónico, las plantas tienen distintos espíritus que pueden influenciar el mundo material y los cuerpos humanos, y pueden comunicarse con la gente. Esta perspectiva de la naturaleza cuestiona el punto de vista moderno occidental sobre el cultivo de plantas y el lugar de ellas en la sociedad. Pero “La primera chacra” no es una representación del entorno natural, ni una descripción visual de temas mitológicos. Por el contrario, Yahuarcani pinta un concepto más abstracto: una fuerza natural, productora de vida, un dominio donde lo espiritual y lo material están interconectados. En “La primera chacra”, así como en las pinturas “El río” o “Al caer la noche”, el entorno Amazónico no es explícito. Yahuarcani se inspira en el conocimiento y mitos de la Amazonía para producir un trabajo evocativo sobre ella. A través de pinturas en las que el tratamiento estético de las imágenes predomina sobre la narrativa, Yahuarcani da nueva forma al conocimiento ancestral amazónico, reivindicando su importancia y validez en el mundo contemporáneo., In the first painting “La primera chacra” (The First Little Farm), through a very vibrant palette of contrasting colors and delicate traces over a monochrome dark background, Yahuarcani depicts the place where plants are cultivated, a space full of life and of spirits. According to the Amazonian knowledge, plants have distinct spirits that are able to influence the material world and human bodies, and can communicate with people. This perspective on nature questions modern Western views on farming and the place of plants in society. But “The First Little Farm” is not a depiction of the natural environment, neither a visual description of mythological subjects. Rather, Yahuarcani paints a more abstract concept of it: a natural force, producer of life, a domain where the spiritual and the material are interconnected. In “The First Little Farm” as well as the paintings El río (River) or Al caer la noche (Nightfall), the Amazonian environment is not explicit. Yahuarcani is inspired by the knowledge and myths of the Amazon to produce a work evocative of the Amazonia in his own language. Through paintings in which the aesthetic treatment of the images predominates over the narrative, Yahuarcani reshape the ancient Amazonian knowledge, reassessing his importance and validity in the contemporary world.